True Poetry

True Poetry

In July and December of last year, photographer Matt Eich and poet Doug Van Gundy set out to document Webster County, the fourth most impoverished county in West Virginia. Together, they met a county clerk, the high school band director, a gravedigger, loggers, a porch-sitter, and a local historian. They spent hours with a well driller who taught them how to dig a new well while discussing heritage apples. At night, they slept in Van Gundy’s home an hour away to keep expenses low. In the morning, they commuted to Webster Springs in an orange Subaru. In the car, one man recited song lyrics and poems to the other with a camera and recorder stowed nearby.

Eich made portraits of Webster County residents while Van Gundy recorded ordinary speech and local information, creating poems from that material, including a verse about residents trying to make sense of a fire that destroyed the Oakland Hotel: “Theories swirled:/started by vagrants, meth-/heads, the mayor—/accident or arson.”

This multimedia collaboration is one of several upcoming documentary poetry projects that the journalism nonprofit I run, Economic Hardship Reporting Project (EHRP), has in the works. Poets and photographers together cover topics ranging from gun ownership, unmoored immigrant populations, and embattled abortion clinics.

This documentary poetry may include quotes and reported descriptions but it also uses some of the best weapons in the poet’s arsenal: repetition, compression, fragmentation, refrain, and ellipsis. It is a form that seems well suited to our disturbing political moment as it may have a chance of doing end runs around readers’ “compassion fatigue.”

The poetry included here was part of an EHRP/The Guardian series, On the Ground, comprised of writers in the heartland and Southern states, in a rebuke of the media’s coastal obsession. EHRP otherwise primarily commissions feature articles, essays, photography, and film about financial struggle, with more than 177 placements in 2019 alone.

But why do we believe we should report on underreported places and phenomena in verse? In the aftermath of Trump’s election, there has been a continuous sense of outrage at the administration’s behavior and actions. As Susan Sontag wrote in Regarding the Pain of Others, “Flooded with images of the sort that once used to shock and arouse indignation, we are losing our capacity to react.” That’s why we have to try more inventive, non-standard ways of presenting the truth, like documentary poetry. Perhaps some of these expressions can cut through our endless, distressing informational sea.

Editor’s note: This essay is accompanied by photographs and poems by Matt Eich and Doug Van Gundy.

Alissa Quart is the executive director of the Economic Hardship Reporting Project and the author of the poetry collection Thoughts and Prayers and the nonfiction book Squeezed: Why Our Families Can’t Afford America.

Co-published with Poetry Magazine.

Save An Endangered Species: Journalists

Alissa Quart is the author of five books of nonfiction including the acclaimed Bootstrapped: Liberating Ourselves from the American Dream, now out in paperback, Squeezed: Why Our Families Can't Afford America and Branded: The Buying and Selling of Teenagers. She built the non-profit the Economic Hardship Reporting Project with the late Barbara Ehrenreich: she has run it for close to a decade. She is also the author of two books of poetry Monetized and Thoughts and Prayers, and has written for many publications including The New York Times, The Guardian, The Washington Post and TIME. She has produced films and the show “Going for Broke,” centering on EHRP’s lower income contributors. Her awards include an Emmy, an SPJ Award, a Columbia Journalism School Alumna of the Year Award, a Nieman Fellowship, and a National Press Club commendation. She lives with her family in Brooklyn.

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